{"id":6529,"date":"2026-09-19T15:46:04","date_gmt":"2026-09-19T13:46:04","guid":{"rendered":"https:\/\/www.parallels.it\/?page_id=6529"},"modified":"2026-09-19T16:46:49","modified_gmt":"2026-09-19T14:46:49","slug":"bob-dylan-1960-1975","status":"publish","type":"page","link":"https:\/\/www.parallels.it\/fr\/bob-dylan-1960-1975\/","title":{"rendered":"Bob Dylan 1960-1975"},"content":{"rendered":"<p><!-- ============================================================\n  Pagina \"Bob Dylan 1960-1975\" per WordPress (VERSIONE B: stile della colonna sonora originale)\n  Incollare tutto in UN blocco \"HTML personalizzato\".\n  Prima di pubblicare sostituire:\n   - i link # (Lulu, YouTube, altre piattaforme)\n============================================================ -->\n<link rel=\"stylesheet\" href=\"https:\/\/fonts.googleapis.com\/css2?family=Inter:wght@400;500;700;800&amp;family=Source+Serif+4:ital,opsz,wght@0,8..60,400;0,8..60,600;1,8..60,400&amp;display=swap\">\n<link rel=\"stylesheet\" href=\"https:\/\/fonts.googleapis.com\/css2?family=Fraunces:ital,opsz,wght@0,9..144,400;0,9..144,600;0,9..144,700;0,9..144,900;1,9..144,400;1,9..144,600&amp;family=Karla:wght@400;500;700&amp;display=swap\">\n<style>\n\/* nasconde il titolo della pagina generato dal tema *\/\n.wp-block-post-title, h1.wp-block-post-title, .entry-title, .page-title { display: none; 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}\n.dpg section.block { padding: 1.25rem 0 !important; }\n.dpg section.boxed { padding: 0.5rem 0 !important; }\n.dpg section.hero { padding: 0 0 0.5rem !important; }\n.dpg section.closing { padding: 1.25rem 0 0.5rem !important; }\n.dpg .wrap > *:last-child, .dpg .box > *:last-child, .dpg .faq > div > *:last-child, .dpg .person > *:last-child, .dpg .details dl { margin-bottom: 0 !important; }\n.dpg h2, .dpg h3, .dpg p, .dpg ol, .dpg ul, .dpg dl, .dpg figure, .dpg blockquote { margin-top: 0 !important; }\n.dpg .buy-main h3 { margin-top: 1.1rem !important; }\n.dpg .dcs .dcs-fine { margin-top: 1.25rem !important; }\n.dpg .share { margin-top: 0.5rem !important; }\n.dpg .closing footer { margin-top: 0.8rem !important; }<\/p>\n<p>.dpg .person-row { display: flex !important; flex-direction: row !important; align-items: flex-start; gap: 1.75rem; }\n.dpg .person-pic { flex: 0 0 10rem; width: 10rem; margin: 0; }\n.dpg .person-pic img, .dpg .person-img { width: 10rem !important; height: 10rem !important; object-fit: cover; border-radius: 50%; float: none !important; margin: 0 !important; }\n.dpg .person-text { flex: 1 1 auto; min-width: 0; }\n.dpg .person-text p { font-family: var(--serif); font-size: 1.1rem; line-height: 1.6; margin: 0 !important; max-width: none; }\n@media (max-width: 40rem) {\n.dpg .person-row { gap: 1rem; }\n.dpg .person-pic { flex-basis: 5.5rem; width: 5.5rem; }\n.dpg .person-pic img, .dpg .person-img { width: 5.5rem !important; height: 5.5rem !important; }\n.dpg .person-text p { font-size: 1rem; }\n}\n\/* spazio tra i blocchi leggermente maggiore *\/\n.dpg section.block { padding: 1.9rem 0 !important; }\n.dpg section.boxed { padding: 0.9rem 0 !important; }\n.dpg section.hero { padding: 0 0 0.9rem !important; }\n.dpg section.closing { padding: 1.9rem 0 0.5rem !important; }<\/p>\n<p>\/* citazione tra apertura e dettagli *\/\n.dpg section.hero + section.closing { border-top: 0 !important; padding: 1.4rem 0 0.6rem !important; }\n.dpg section.closing + section.block { border-top: 0; }<\/p>\n<p>\/* autore: la foto resta sempre a sinistra, il testo a destra *\/\n.dpg .person-row > .person-pic { margin: 0 !important; }\n@media (max-width: 40rem) {\n.dpg .person-row { gap: 1rem !important; }\n.dpg .person-row .person-img { width: 88px !important; height: 88px !important; }\n}<\/p>\n<p>.dpg section.closing-end { border-top: 0 !important; padding: 1.9rem 0 0.5rem !important; }<\/p>\n<p>.dpg section.closing-mid { border-top: 0 !important; padding: 1.6rem 0 1.2rem !important; }<\/p>\n<p>.dpg .hero h1 .vol { display: block; margin-top: 0.5rem; font-family: var(--sans) !important; font-weight: 700; font-size: 0.32em; letter-spacing: 0; color: var(--ink-soft); }\n<\/style>\n<div class=\"dpg\">\n<section class=\"hero\">\n<div class=\"wrap box\">\n<div>\n<p class=\"eyebrow\">1960-1975, un disco dopo l&#8217;altro<\/p>\n<h1>Bob Dylan<br \/><span style=\"white-space:nowrap\">19<span class=\"blue\">60<\/span>-19<span class=\"blue\">75<\/span><\/span><br \/><span class=\"vol\" style=\"display:block;margin-top:0.6rem;font-family:Karla, Helvetica Neue, Arial, sans-serif;font-weight:700;font-size:0.32em;line-height:1.2;letter-spacing:0;color:#4A5264;\">Volume&nbsp;I<\/span><\/h1>\n<div class=\"lead\">\n<p>Quindici anni in cui Bob Dylan vive pi\u00f9 carriere di quante a un altro artista ne basterebbero per una vita: il folk del Village, la svolta elettrica, il ritiro a Woodstock, il ritorno sulle scene fino a Blood on the Tracks e Desire.<\/p>\n<p>Leonardo Tondelli li ripercorre attraverso i dischi, presi uno dopo l&#8217;altro nell&#8217;ordine in cui sono usciti, provando per un momento a dimenticare quello che sappiamo sia successo dopo. Non una biografia, non una discografia con le stelline: un racconto che si legge con le cuffie in testa.<\/p>\n<p>Questo \u00e8 il primo volume: la storia proseguir\u00e0 in un secondo, di prossima pubblicazione, che seguir\u00e0 Dylan negli anni successivi.<\/p>\n<p><em>Perch\u00e9 un disco, quando esce, non sa ancora di essere un capolavoro.<\/em><\/p>\n<\/div>\n<div class=\"actions\"><!-- Se avete una pagina con la prefazione: <a class=\"btn btn-dark\" href=\"LINK_PREFAZIONE\">Leggi la prefazione<\/a> --><a class=\"btn btn-dark\" href=\"#dove-acquistare\">O\u00f9 acheter le livre<\/a><a class=\"btn btn-line\" href=\"#colonna-sonora\">Ascolta la colonna sonora<\/a><\/div>\n<\/div>\n<figure><img data-opt-id=1103115092  fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/mlod5rd2a4vq.i.optimole.com\/cb:a3gB.ee2\/w:auto\/h:auto\/q:mauto\/g:sm\/f:best\/https:\/\/www.parallels.it\/wp-content\/uploads\/2026\/09\/Copertina-Bob-Dylan-I-1.png\" width=\"1000\" height=\"800\" alt=\"Copertina del libro Bob Dylan 1960-1975 di Leonardo Tondelli, edizioni parallels: Dylan sorride sul palco con la chitarra elettrica, in bianco e nero, tra i bordi di una pellicola.\"><\/figure>\n<\/div>\n<\/section>\n<section class=\"closing\">\n<div class=\"wrap\">\n<blockquote>\n<p>\u201cDylan, per\u00f2, ha un inconveniente. Sono rimasti i dischi. I dischi non ricordano: registrano.\u201d<\/p>\n<footer>(dalla prefazione di Riccardo Bagnato Bulgarelli)<\/footer>\n<\/blockquote>\n<\/div>\n<\/section>\n<section class=\"block\" aria-labelledby=\"h-dettagli\">\n<div class=\"wrap\">\n<h2 id=\"h-dettagli\">D\u00e9tails du livre<\/h2>\n<div class=\"details\">\n<div class=\"g\">\n<h3>Generale<\/h3>\n<dl>\n<div>\n<dt>Titre :<\/dt>\n<dd>Bob Dylan 1960-1975. Vol.&nbsp;I<\/dd>\n<\/div>\n<div>\n<dt>Auteur<\/dt>\n<dd>Leonardo Tondelli<\/dd>\n<\/div>\n<div>\n<dt>Prefazione<\/dt>\n<dd>Riccardo Bagnato Bulgarelli<\/dd>\n<\/div>\n<div>\n<dt>\u00c9diteur<\/dt>\n<dd>Parallels<\/dd>\n<\/div>\n<div>\n<dt>Ann\u00e9e<\/dt>\n<dd>2026<\/dd>\n<\/div>\n<div>\n<dt>Langue<\/dt>\n<dd>Italiano<\/dd>\n<\/div>\n<\/dl>\n<\/div>\n<div class=\"g\">\n<h3>Libro<\/h3>\n<dl>\n<div>\n<dt>Formato<\/dt>\n<dd>Brossura<\/dd>\n<\/div>\n<div>\n<dt>Pagine<\/dt>\n<dd>350<\/dd>\n<\/div>\n<div>\n<dt>ISBN-13 :<\/dt>\n<dd>978-88-902286-5-0<\/dd>\n<\/div>\n<div>\n<dt>Prix<\/dt>\n<dd>23 euro<\/dd>\n<\/div>\n<\/dl>\n<\/div>\n<div class=\"g\">\n<h3>Livre \u00e9lectronique<\/h3>\n<dl>\n<div>\n<dt>Disponibilit\u00e0<\/dt>\n<dd>In arrivo<\/dd>\n<\/div>\n<\/dl>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"block\" aria-labelledby=\"h-autori\">\n<div class=\"wrap\">\n<h2 id=\"h-autori\">L&#8217;autore<\/h2>\n<div class=\"people\">\n<div class=\"person-row\" style=\"display:flex;flex-direction:row;flex-wrap:nowrap;align-items:flex-start;gap:1.5rem;\">\n<div class=\"person-pic\" style=\"flex:0 0 auto;float:left;margin:0 1.5rem 0.5rem 0;\"><img data-opt-id=795879875  fetchpriority=\"high\" decoding=\"async\" class=\"person-img\" style=\"display:block;width:160px;height:160px;max-width:none;object-fit:cover;border-radius:50%;margin:0;\" src=\"https:\/\/mlod5rd2a4vq.i.optimole.com\/cb:a3gB.ee2\/w:auto\/h:auto\/q:mauto\/g:sm\/f:best\/https:\/\/www.parallels.it\/wp-content\/uploads\/2026\/07\/cropped-Leonardo-Tondelli-e1758462206162.png\" width=\"240\" height=\"240\" alt=\"Ritratto di Leonardo Tondelli\"><\/div>\n<div class=\"person-text\" style=\"flex:1 1 0%;min-width:0;overflow:hidden;\">\n<p><strong>Leonardo Tondelli<\/strong>, modenese, insegna lettere a Carpi ed \u00e8 giornalista e scrittore. Ha conseguito un dottorato in Letteratura italiana contemporanea all&#8217;Universit\u00e0 di Bologna. \u00c8 autore di <em>Leonardo<\/em>, uno dei blog italiani pi\u00f9 longevi, online dal gennaio 2001, e ha collaborato con l&#8217;Unit\u00e0, The Vision e il Post, dove cura da anni una rubrica dedicata al santo del giorno. Ha pubblicato <em>Storia d&#8217;Italia a rovescio (2006-2001)<\/em> (Scrittomisto, 2006), <em>Futuriste sans avenir. Marinetti, le dernier mythographe<\/em> (Le Lettere, 2009), <em>La scossa. L&#8217;estate del terremoto in Emilia<\/em> (Chiarelettere, 2012), <em>Getting Better. Le 250 migliori canzoni dei Beatles classificate, valutate, commentate<\/em> (Arcana, 2020) e <em>Catalogo dei santi ribelli<\/em> (UTET, 2022).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"block boxed\" aria-labelledby=\"h-indice\">\n<div class=\"wrap box\">\n<h2 id=\"h-indice\">Indice<\/h2>\n<div class=\"toc\">\n<div>\n<h3><span aria-hidden=\"true\">I<\/span>Il ragazzo che voleva essere un altro<\/h3>\n<ol>\n<li><span class=\"t\">Bob Dylan \u00e8 un fantasma<\/span><span class=\"a\">Bob Dylan (1962)<\/span><\/li>\n<li><span class=\"t\">Scrivere Hard Rain a 20 anni, sopravviverne altri 50<\/span><span class=\"a\">Live at the Gaslight (1962)<\/span><\/li>\n<li><span class=\"t\">Il Bob a ruota libera<\/span><span class=\"a\">The Freewheelin&#x27; Bob Dylan (1963)<\/span><\/li>\n<li><span class=\"t\">Dylan, il primo rapper<\/span><span class=\"a\">In Concert, Brandeis University 1963 (2010)<\/span><\/li>\n<\/ol>\n<\/div>\n<div>\n<h3><span aria-hidden=\"true\">II<\/span>La voce di una generazione<\/h3>\n<ol>\n<li><span class=\"t\">Mr. Dylan va a Washington<\/span><span class=\"a\">Live at Carnegie Hall 1963 (2005)<\/span><\/li>\n<li><span class=\"t\">Kennedy \u00e8 morto, Dylan ubriaco<\/span><span class=\"a\">The Times They Are a-Changin&#x27; (1964)<\/span><\/li>\n<li><span class=\"t\">Chiunque canta meglio di Bob Dylan<\/span><span class=\"a\">The Witmark Demos: 1962\u20131964 (2010)<\/span><\/li>\n<li><span class=\"t\">Dylan vuole che restiamo amici<\/span><span class=\"a\">Another Side of Bob Dylan (1964)<\/span><\/li>\n<li><span class=\"t\">Il lungo addio alla zingara<\/span><span class=\"a\">Live 1964, Concert at Philharmonic Hall (2004)<\/span><\/li>\n<\/ol>\n<\/div>\n<div>\n<h3><span aria-hidden=\"true\">III<\/span>La rivoluzione elettrica<\/h3>\n<ol>\n<li><span class=\"t\">Dylan prende e porta a casa<\/span><span class=\"a\">Bringing It All Back Home (1965)<\/span><\/li>\n<li><span class=\"t\">La battaglia di Newport<\/span><span class=\"a\">No Direction Home: The Soundtrack (2005)<\/span><\/li>\n<li><span class=\"t\">Saluti dalla forca, vostro Bob<\/span><span class=\"a\">Highway 61 Revisited (1965)<\/span><\/li>\n<li><span class=\"t\">Nessuno sbaglia come Dylan<\/span><span class=\"a\">The Cutting Edge 1965\u20131966 (2015)<\/span><\/li>\n<li><span class=\"t\">Dylan finge proprio come un uomo<\/span><span class=\"a\">Blonde on Blonde (1966)<\/span><\/li>\n<li><span class=\"t\">L&#x27;uomo che url\u00f2 \u00abGiuda\u00bb a Dylan, forse<\/span><span class=\"a\">Live 1966, The \u201cRoyal Albert Hall\u201d Concert (1998)<\/span><\/li>\n<\/ol>\n<\/div>\n<div>\n<h3><span aria-hidden=\"true\">IV<\/span>Gli anni nel deserto<\/h3>\n<ol>\n<li><span class=\"t\">Memorie dal seminterrato<\/span><span class=\"a\">The Basement Tapes (1975)<\/span><\/li>\n<li><span class=\"t\">Il Far West metafisico di JWH<\/span><span class=\"a\">John Wesley Harding (1967)<\/span><\/li>\n<li><span class=\"t\">Bob il profeta, Bob il contadino<\/span><span class=\"a\">Nashville Skyline (1969)<\/span><\/li>\n<li><span class=\"t\">La merda d&#x27;artista di Bob Dylan<\/span><span class=\"a\">Self Portrait (1970)<\/span><\/li>\n<li><span class=\"t\">Il disco che persino Dylan non voleva farti ascoltare<\/span><span class=\"a\">Dylan (1973)<\/span><\/li>\n<li><span class=\"t\">Il poeta, lo zingaro, il padre<\/span><span class=\"a\">New Morning (1970)<\/span><\/li>\n<li><span class=\"t\">Altri autoritratti<\/span><span class=\"a\">Another Self Portrait (1969\u20131971) (2013)<\/span><\/li>\n<li><span class=\"t\">Il disco pi\u00f9 venduto, la canzone pi\u00f9 nascosta<\/span><span class=\"a\">Bob Dylan&#x27;s Greatest Hits Vol. II (1971)<\/span><\/li>\n<li><span class=\"t\">Pat Dylan e Bobby the Kid<\/span><span class=\"a\">Pat Garrett &amp; Billy the Kid (1973)<\/span><\/li>\n<\/ol>\n<\/div>\n<div>\n<h3><span aria-hidden=\"true\">V<\/span>Il ritorno<\/h3>\n<ol>\n<li><span class=\"t\">Solo un dimenticabile ritorno di fiamma<\/span><span class=\"a\">Planet Waves (1974)<\/span><\/li>\n<li><span class=\"t\">Dylan prima del diluvio<\/span><span class=\"a\">Before the Flood (1974)<\/span><\/li>\n<li><span class=\"t\">\u00c8 il sangue di Bob Dylan su quei solchi?<\/span><span class=\"a\">Blood on the Tracks (1975)<\/span><\/li>\n<li><span class=\"t\">Il disco chiamato desiderio<\/span><span class=\"a\">Desire (1976)<\/span><\/li>\n<\/ol>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"closing closing-mid\">\n<div class=\"wrap\">\n<blockquote>\n<p>\u201cNon credo che Knockin\u2019 On Heaven\u2019s Door sia superiore a Like a Rolling Stone, ma la verit\u00e0 \u00e8 che ascolto Billy pi\u00f9 di entrambe (e la fischietto).\u201d<\/p>\n<footer>(Leonardo Tondelli, dal capitolo \u00abPat Dylan e Bobby the Kid\u00bb)<\/footer>\n<\/blockquote>\n<\/div>\n<\/section>\n<section class=\"block boxed\" aria-label=\"La colonna sonora\">\n<div class=\"wrap\">\n<style>\n.dpg .dcs { box-sizing: border-box; width: 100%; margin: 0; background: #EEF1EC; border-radius: 20px; padding: clamp(1.25rem, 3.5vw, 2rem); color: var(--ink); font-family: var(--sans); }\n.dpg .dcs h2 { font-weight: 800; letter-spacing: -0.02em; font-size: clamp(1.7rem, 3.6vw, 2.3rem); line-height: 1.05; margin: 0 0 0.8rem; }\n.dpg .dcs .dcs-intro { font-family: var(--serif); font-size: 1.1rem; line-height: 1.55; max-width: 40rem; margin: 0 0 1.2rem; }\n.dpg .dcs .dcs-listen { margin: 0 0 1.5rem; padding: 0 0 1.25rem; border-bottom: 1px solid #C9CFC6; }\n.dpg .dcs .dcs-btn { display: inline-flex; align-items: center; min-height: 3rem; padding: 0.65rem 1.35rem; border-radius: 999px; font-weight: 700; font-size: 1rem; text-decoration: none; background: var(--black); color: #fff; }\n.dpg .dcs .dcs-btn:hover { background: #333; color: #fff; }\n.dpg .dcs .dcs-small { display: block; margin: 0.4rem 0 0.9rem; font-size: 0.93rem; color: var(--ink-soft); }\n.dpg .dcs .dcs-others { display: flex; flex-wrap: wrap; gap: 0.5rem; align-items: center; }\n.dpg .dcs .dcs-others span { font-size: 0.95rem; color: var(--ink-soft); }\n.dpg .dcs .dcs-others a { display: inline-flex; align-items: center; min-height: 2.5rem; padding: 0.35rem 1rem; border-radius: 999px; border: 2px solid var(--black); color: var(--black); font-weight: 700; text-decoration: none; }\n.dpg .dcs .dcs-others a:hover { background: #fff; }\n.dpg .dcs-parts { display: grid; grid-template-columns: repeat(auto-fit, minmax(min(22rem, 100%), 1fr)); gap: 1.5rem 2.5rem; }\n.dpg .dcs .dcs-part { margin: 0; }\n.dpg .dcs .dcs-head { display: flex; gap: 0.45rem; align-items: baseline; padding-bottom: 0.4rem; border-bottom: 2px solid var(--blue); }\n.dpg .dcs .dcs-pnum { font-weight: 700; color: var(--blue-ink); font-size: 1rem; }\n.dpg .dcs .dcs-ptitle { font-family: var(--sans); font-weight: 700; font-style: normal; font-size: 1rem; margin: 0; }\n.dpg .dcs .dcs-tracks { list-style: none; margin: 0; padding: 0; }\n.dpg .dcs .dcs-tracks li { display: grid; grid-template-columns: 1.8rem 1fr; gap: 0 0.6rem; padding: 0.45rem 0; margin: 0; border-bottom: 1px solid #C9CFC6; }\n.dpg .dcs .dcs-n { text-align: right; color: var(--ink-soft); font-variant-numeric: tabular-nums; }\n.dpg .dcs .dcs-song { display: block; font-family: var(--serif); font-style: italic; font-size: 1.08rem; line-height: 1.3; }\n.dpg .dcs .dcs-album { display: block; font-size: 0.95rem; }\n.dpg .dcs .dcs-note { display: block; margin-top: 0.15rem; font-size: 0.9rem; color: var(--ink-soft); }\n.dpg .dcs .dcs-fine { margin: 1.25rem 0 0; font-size: 0.9rem; color: var(--ink-soft); }\n<\/style>\n<div class=\"dcs\" id=\"colonna-sonora\">\n<h2>La colonna sonora<\/h2>\n<p class=\"dcs-intro\">Trentatr\u00e9 canzoni da ascoltare mentre si legge, nell&#8217;ordine in cui il libro le racconta. Dove conta, \u00e8 indicata l&#8217;incisione esatta: spesso \u00e8 proprio quella versione, e non un&#8217;altra, a essere al centro del capitolo.<\/p>\n<div class=\"dcs-listen\"><!-- Sostituire # con il link della playlist YouTube --><a class=\"dcs-btn\" href=\"#\" target=\"_blank\" rel=\"noopener\">Ascolta su YouTube<\/a><span class=\"dcs-small\">Gratis, anche senza account, dal browser o dall&#8217;app.<\/span><\/p>\n<div class=\"dcs-others\"><span>Oppure su<\/span><!-- Sostituire # con i link delle altre piattaforme, o cancellare le righe che non servono --><a href=\"#\" target=\"_blank\" rel=\"noopener\">Spotify<\/a><\/div>\n<\/div>\n<div class=\"dcs-parts\">\n<div class=\"dcs-part\">\n<div class=\"dcs-head\"><span class=\"dcs-pnum\" aria-hidden=\"true\">I<\/span><\/p>\n<h3 class=\"dcs-ptitle\">Il ragazzo che voleva essere un altro<\/h3>\n<\/div>\n<ol class=\"dcs-tracks\" start=\"1\">\n<li><span class=\"dcs-n\">1<\/span>\n<div><span class=\"dcs-song\">Talkin&#x27; New York<\/span><span class=\"dcs-album\">Bob Dylan (1962)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">2<\/span>\n<div><span class=\"dcs-song\">A Hard Rain&#x27;s A-Gonna Fall<\/span><span class=\"dcs-album\">Live at the Gaslight 1962 (2005)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">3<\/span>\n<div><span class=\"dcs-song\">Don&#x27;t Think Twice, It&#x27;s All Right<\/span><span class=\"dcs-album\">The Freewheelin&#x27; Bob Dylan (1963)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">4<\/span>\n<div><span class=\"dcs-song\">Talkin&#x27; John Birch Paranoid Blues<\/span><span class=\"dcs-album\">In Concert: Brandeis University 1963 (2010)<\/span><\/div>\n<\/li>\n<\/ol>\n<\/div>\n<div class=\"dcs-part\">\n<div class=\"dcs-head\"><span class=\"dcs-pnum\" aria-hidden=\"true\">II<\/span><\/p>\n<h3 class=\"dcs-ptitle\">La voce di una generazione<\/h3>\n<\/div>\n<ol class=\"dcs-tracks\" start=\"5\">\n<li><span class=\"dcs-n\">5<\/span>\n<div><span class=\"dcs-song\">The Times They Are A-Changin&#x27;<\/span><span class=\"dcs-album\">Live at Carnegie Hall 1963 (2005)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">6<\/span>\n<div><span class=\"dcs-song\">The Lonesome Death of Hattie Carroll<\/span><span class=\"dcs-album\">The Times They Are A-Changin&#x27; (1964)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">7<\/span>\n<div><span class=\"dcs-song\">Farewell<\/span><span class=\"dcs-album\">The Bootleg Series Vol. 9: The Witmark Demos 1962\u20131964 (2010)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">8<\/span>\n<div><span class=\"dcs-song\">Chimes of Freedom<\/span><span class=\"dcs-album\">Another Side of Bob Dylan (1964)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">9<\/span>\n<div><span class=\"dcs-song\">To Ramona<\/span><span class=\"dcs-album\">The Bootleg Series Vol. 6: Live 1964, Concert at Philharmonic Hall (2004)<\/span><\/div>\n<\/li>\n<\/ol>\n<\/div>\n<div class=\"dcs-part\">\n<div class=\"dcs-head\"><span class=\"dcs-pnum\" aria-hidden=\"true\">III<\/span><\/p>\n<h3 class=\"dcs-ptitle\">La rivoluzione elettrica<\/h3>\n<\/div>\n<ol class=\"dcs-tracks\" start=\"10\">\n<li><span class=\"dcs-n\">10<\/span>\n<div><span class=\"dcs-song\">Subterranean Homesick Blues<\/span><span class=\"dcs-album\">Bringing It All Back Home (1965)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">11<\/span>\n<div><span class=\"dcs-song\">Like a Rolling Stone<\/span><span class=\"dcs-album\">Highway 61 Revisited (1965)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">12<\/span>\n<div><span class=\"dcs-song\">Maggie&#x27;s Farm<\/span><span class=\"dcs-album\">The Bootleg Series Vol. 7: No Direction Home (2005)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">13<\/span>\n<div><span class=\"dcs-song\">Highway 61 Revisited<\/span><span class=\"dcs-album\">Highway 61 Revisited (1965)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">14<\/span>\n<div><span class=\"dcs-song\">Can You Please Crawl Out Your Window?<\/span><span class=\"dcs-album\">singolo (1965)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">15<\/span>\n<div><span class=\"dcs-song\">Visions of Johanna<\/span><span class=\"dcs-album\">Blonde on Blonde (1966)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">16<\/span>\n<div><span class=\"dcs-song\">Sad-Eyed Lady of the Lowlands<\/span><span class=\"dcs-album\">Blonde on Blonde (1966)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">17<\/span>\n<div><span class=\"dcs-song\">Like a Rolling Stone<\/span><span class=\"dcs-album\">The Bootleg Series Vol. 4: Live 1966, The \u201cRoyal Albert Hall\u201d Concert (1998)<\/span><\/div>\n<\/li>\n<\/ol>\n<\/div>\n<div class=\"dcs-part\">\n<div class=\"dcs-head\"><span class=\"dcs-pnum\" aria-hidden=\"true\">IV<\/span><\/p>\n<h3 class=\"dcs-ptitle\">Gli anni nel deserto<\/h3>\n<\/div>\n<ol class=\"dcs-tracks\" start=\"18\">\n<li><span class=\"dcs-n\">18<\/span>\n<div><span class=\"dcs-song\">You Ain&#x27;t Goin&#x27; Nowhere<\/span><span class=\"dcs-album\">The Basement Tapes (1975)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">19<\/span>\n<div><span class=\"dcs-song\">All Along the Watchtower<\/span><span class=\"dcs-album\">John Wesley Harding (1967)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">20<\/span>\n<div><span class=\"dcs-song\">Lay, Lady, Lay<\/span><span class=\"dcs-album\">Nashville Skyline (1969)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">21<\/span>\n<div><span class=\"dcs-song\">All the Tired Horses<\/span><span class=\"dcs-album\">Self Portrait (1970)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">22<\/span>\n<div><span class=\"dcs-song\">Went to See the Gypsy<\/span><span class=\"dcs-album\">New Morning (1970)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">23<\/span>\n<div><span class=\"dcs-song\">Annie&#x27;s Going to Sing Her Song<\/span><span class=\"dcs-album\">The Bootleg Series Vol. 10: Another Self Portrait (1969\u20131971) (2013)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">24<\/span>\n<div><span class=\"dcs-song\">George Jackson<\/span><span class=\"dcs-album\">singolo (1971)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">25<\/span>\n<div><span class=\"dcs-song\">Billy 1<\/span><span class=\"dcs-album\">Pat Garrett &amp; Billy the Kid (1973)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">26<\/span>\n<div><span class=\"dcs-song\">Knockin&#x27; on Heaven&#x27;s Door<\/span><span class=\"dcs-album\">Pat Garrett &amp; Billy the Kid (1973)<\/span><\/div>\n<\/li>\n<\/ol>\n<\/div>\n<div class=\"dcs-part\">\n<div class=\"dcs-head\"><span class=\"dcs-pnum\" aria-hidden=\"true\">V<\/span><\/p>\n<h3 class=\"dcs-ptitle\">Il ritorno<\/h3>\n<\/div>\n<ol class=\"dcs-tracks\" start=\"27\">\n<li><span class=\"dcs-n\">27<\/span>\n<div><span class=\"dcs-song\">Dirge<\/span><span class=\"dcs-album\">Planet Waves (1974)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">28<\/span>\n<div><span class=\"dcs-song\">Lay, Lady, Lay<\/span><span class=\"dcs-album\">Before the Flood (1974)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">29<\/span>\n<div><span class=\"dcs-song\">Tangled Up in Blue<\/span><span class=\"dcs-album\">Blood on the Tracks (1975)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">30<\/span>\n<div><span class=\"dcs-song\">Idiot Wind<\/span><span class=\"dcs-album\">Blood on the Tracks (1975)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">31<\/span>\n<div><span class=\"dcs-song\">Sara<\/span><span class=\"dcs-album\">Desire (1976)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">32<\/span>\n<div><span class=\"dcs-song\">Hurricane<\/span><span class=\"dcs-album\">Desire (1976)<\/span><\/div>\n<\/li>\n<li><span class=\"dcs-n\">33<\/span>\n<div><span class=\"dcs-song\">Don&#x27;t Think Twice, It&#x27;s All Right<\/span><span class=\"dcs-album\">Before the Flood (1974)<\/span><\/div>\n<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<p class=\"dcs-fine\">La disponibilit\u00e0 dei brani sulle piattaforme di streaming pu\u00f2 cambiare nel tempo e da paese a paese, soprattutto per le registrazioni d&#8217;archivio e dal vivo. Se un brano manca, album e anno indicati qui permettono di ritrovare la versione giusta.<\/p>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"block\" aria-labelledby=\"h-info\">\n<div class=\"wrap\">\n<h2 id=\"h-info\">Plus d'informations<\/h2>\n<div class=\"faq\">\n<div>\n<h3>Chi \u00e8 Parallels?<\/h3>\n<p class=\"translation-block\">Parallels est une <strong>initiative \u00e9ditoriale ind\u00e9pendante<\/strong> qui publie des livres sous licence Creative Commons. Elle est financ\u00e9e par des cotisations annuelles et des dons. <a href=\"https:\/\/www.parallels.it\/fr\/progetto\/\" target=\"_self\">En savoir plus<\/a>.<\/p>\n<\/div>\n<div>\n<h3>\u00c0 qui vont les recettes du livre ?<\/h3>\n<p>Tutti i proventi dalla vendita del libro, al netto dei costi di produzione, distribuzione e delle commissioni bancarie, vanno agli autori, alle autrici, al curatore.<\/p>\n<\/div>\n<div>\n<h3>Partager cette page<\/h3>\n<p>Vous avez trouv\u00e9 cette page int\u00e9ressante ? Partagez-la avec qui vous voulez.<\/p>\n<ul class=\"share\">\n<li><a href=\"https:\/\/wa.me\/?text=Bob%20Dylan%201960-1975%20di%20Leonardo%20Tondelli%20https%3A%2F%2Fwww.parallels.it%2Fbob-dylan-1960-1975%2F\" target=\"_blank\" rel=\"noopener\">WhatsApp<\/a><\/li>\n<li><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.parallels.it%2Fbob-dylan-1960-1975%2F\" target=\"_blank\" rel=\"noopener\">Facebook<\/a><\/li>\n<li><a href=\"https:\/\/t.me\/share\/url?url=https%3A%2F%2Fwww.parallels.it%2Fbob-dylan-1960-1975%2F&amp;text=Bob%20Dylan%201960-1975%20di%20Leonardo%20Tondelli\" target=\"_blank\" rel=\"noopener\">Telegram<\/a><\/li>\n<li><a href=\"https:\/\/twitter.com\/intent\/tweet?url=https%3A%2F%2Fwww.parallels.it%2Fbob-dylan-1960-1975%2F&amp;text=Bob%20Dylan%201960-1975%20di%20Leonardo%20Tondelli\" target=\"_blank\" rel=\"noopener\">X<\/a><\/li>\n<li><a href=\"mailto:?subject=Da%20Parallels%3A%20Bob%20Dylan%201960-1975%20di%20Leonardo%20Tondelli&amp;body=Dai%20un%27occhiata%20a%20questa%20pagina%3A%20https%3A%2F%2Fwww.parallels.it%2Fbob-dylan-1960-1975%2F\">Courriel<\/a><\/li>\n<li><a href=\"https:\/\/www.linkedin.com\/sharing\/share-offsite\/?url=https%3A%2F%2Fwww.parallels.it%2Fbob-dylan-1960-1975%2F\" target=\"_blank\" rel=\"noopener\">LinkedIn<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"block boxed\" id=\"dove-acquistare\" aria-labelledby=\"h-buy\">\n<div class=\"wrap box buybox\">\n<h2 id=\"h-buy\">Dove acquistare il libro o l&#8217;eBook?<\/h2>\n<div class=\"buy-grid\">\n<div class=\"buy-main\">\n<p class=\"buy-badge\">Consigliato<\/p>\n<p><!-- Sostituire # con il link della pagina del libro su Lulu --><a class=\"btn btn-dark btn-lg\" href=\"#\" target=\"_blank\" rel=\"noopener\">Acheter sur Lulu<\/a><\/p>\n<h3>Perch\u00e9 acquistare su Lulu?<\/h3>\n<p>Cos\u00ec sostieni di pi\u00f9 l&#8217;autrice o l&#8217;autore. Un esempio? Acquistando su Lulu.com un cartaceo da 20 \u20ac, l&#8217;autore riceve circa <strong>10,38 \u20ac<\/strong>, contro circa <strong>2,36 \u20ac<\/strong> su Amazon o altri rivenditori: oltre quattro volte tanto.<\/p>\n<\/div>\n<div class=\"buy-other\">\n<h3>Altri rivenditori<\/h3>\n<p>Il libro si trova anche sulle principali librerie online, come Amazon, Feltrinelli.it, Unilibro e Libreriauniversitaria.it. L&#8217;eBook, in arrivo, sar\u00e0 disponibile solo su Lulu.com.<\/p>\n<p class=\"buy-note\">Possibili riduzioni sul prezzo di copertina per biblioteche, scuole pubbliche e per le librerie interessate.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"closing closing-end\">\n<div class=\"wrap\">\n<blockquote>\n<p>\u201cMa non ci si deve mai fidare di Dylan. Se abbiamo imparato qualcosa in questo lungo viaggio, dovrebbe essere questo.\u201d<\/p>\n<footer>(Leonardo Tondelli, dal capitolo \u00abNessuno sbaglia come Dylan\u00bb)<\/footer>\n<\/blockquote>\n<\/div>\n<\/section>\n<\/div>\n<style>\n\/* ===== VERSIONE B: stile unificato Fraunces + Karla, accento blu della copertina ===== *\/\n.dpg { --ink: #1D2433; --ink-soft: #4A5264; --rule: #C9CFC6; --accent: #0094F8; --accent-ink: #006FC0; --black: #1D2433;\n  --blue: #0094F8; --blue-ink: #006FC0;\n  --sans: \"Karla\", \"Helvetica Neue\", Arial, sans-serif; --serif: \"Fraunces\", Georgia, serif;\n  font-family: var(--sans); color: var(--ink); line-height: 1.55; }\n.dpg h1, .dpg h2 { font-family: var(--serif) !important; font-weight: 900 !important; letter-spacing: -0.02em !important; color: var(--ink); }\n.dpg .hero h1 { line-height: 0.98; }\n.dpg .eyebrow { color: var(--accent-ink); font-family: var(--sans); }\n.dpg .hero .lead p { font-family: var(--sans); font-size: 1.12rem; color: var(--ink); }\n.dpg .hero .lead p:last-child em { font-family: var(--serif); font-size: 1.2rem; }\n.dpg a { color: var(--accent-ink); }\n.dpg .btn-dark, .dpg .dcs .dcs-btn { background: var(--accent-ink) !important; color: #fff !important; }\n.dpg .btn-dark:hover, .dpg .dcs .dcs-btn:hover { background: var(--accent-ink) !important; filter: brightness(1.12); }\n.dpg .btn-line, .dpg .dcs .dcs-others a, .dpg .share a { border: 1.5px solid var(--ink) !important; color: var(--ink) !important; }\n.dpg .btn-line:hover, .dpg .dcs .dcs-others a:hover, .dpg .share a:hover { background: #E3E7E1 !important; }\n.dpg .buy-badge { background: var(--accent-ink); color: #fff; }<\/p>\n<p>\/* intestazioni di gruppo: numero romano grande rosso + titolo corsivo *\/\n.dpg .details h3 { font-family: var(--serif); font-style: italic; font-weight: 600; font-size: 1.25rem; border-bottom: 1px solid var(--ink); }\n.dpg .toc h3, .dpg .dcs .dcs-head { display: flex; align-items: baseline; gap: 0.8rem; border-bottom: 1px solid var(--ink) !important; padding-bottom: 0.4rem; margin-bottom: 0.25rem; }\n.dpg .toc h3 { font-family: var(--serif); font-style: italic; font-weight: 600; font-size: 1.2rem; line-height: 1.2; }\n.dpg .toc h3 span, .dpg .dcs .dcs-pnum { font-family: var(--serif) !important; font-style: normal; font-weight: 900 !important; font-size: 2rem !important; line-height: 1; color: var(--accent) !important; min-width: 2.2rem; margin: 0 !important; }\n.dpg .dcs .dcs-ptitle { font-family: var(--serif) !important; font-style: italic !important; font-weight: 600 !important; font-size: 1.2rem !important; line-height: 1.2; }<\/p>\n<p>\/* voci di elenco *\/\n.dpg .toc .t { font-family: var(--sans); font-weight: 500; }\n.dpg .toc .a { font-family: var(--serif); font-style: italic; color: var(--ink-soft); }\n.dpg .dcs .dcs-n { font-family: var(--serif); }\n.dpg .dcs .dcs-song { font-family: var(--serif) !important; font-style: italic; font-size: 1.15rem !important; }\n.dpg .dcs .dcs-album { font-family: var(--sans); }\n.dpg .dcs h2 { font-size: clamp(1.8rem, 4vw, 2.5rem) !important; }\n.dpg .dcs .dcs-intro { font-family: var(--sans) !important; color: var(--ink-soft); }\n.dpg .dcs .dcs-listen { border-bottom: 2px solid var(--ink) !important; }<\/p>\n<p>\/* testi *\/\n.dpg .person-text p { font-family: var(--sans) !important; font-size: 1.08rem; }\n.dpg .person-text strong { font-family: var(--serif); font-weight: 700; }\n.dpg .faq h3, .dpg .buy-main h3, .dpg .buy-other h3 { font-family: var(--serif); font-weight: 700; }\n.dpg .closing blockquote p { font-family: var(--serif); font-style: italic; font-weight: 400; }\n.dpg .details dl > div, .dpg .toc li, .dpg .dcs .dcs-tracks li { border-bottom-color: var(--rule) !important; }\n<\/style>","protected":false},"excerpt":{"rendered":"<p>1960-1975, un disco dopo l&#8217;altro Bob Dylan1960-1975Volume&nbsp;I Quindici anni in cui Bob Dylan vive pi\u00f9 carriere di quante a un altro artista ne basterebbero per una vita: il folk del Village, la svolta elettrica, il ritiro a Woodstock, il ritorno sulle scene fino a Blood on the Tracks e Desire. Leonardo Tondelli li ripercorre attraverso [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6529","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.parallels.it\/fr\/wp-json\/wp\/v2\/pages\/6529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.parallels.it\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.parallels.it\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.parallels.it\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.parallels.it\/fr\/wp-json\/wp\/v2\/comments?post=6529"}],"version-history":[{"count":22,"href":"https:\/\/www.parallels.it\/fr\/wp-json\/wp\/v2\/pages\/6529\/revisions"}],"predecessor-version":[{"id":6553,"href":"https:\/\/www.parallels.it\/fr\/wp-json\/wp\/v2\/pages\/6529\/revisions\/6553"}],"wp:attachment":[{"href":"https:\/\/www.parallels.it\/fr\/wp-json\/wp\/v2\/media?parent=6529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}